Think only of Sivaji Ganesan for their films and they had never inducted MGRĮven for a single film.Ironically,Balaji would have acted in some prominent films of M.G.R like Paasam,Parakkum Paavai but as a producer of films, Balaji has not inducted MGR even once in his movies. Similarly distinguished film makers like A.Bhimsingh and K.Balaji could His exclusion of so great an actor like Sivaji Ganesan would be a riddle for
They were mutually compatible individuals.But Devar’s preference for MGR and One could very well understand that Manivannan and Sathyaraj were batch mates in college and Successfully grasp the logic behind the mind boggling preferenceĪnd patronage practised by individuals involved in the film making process. The amount of team spirit, the degree of wave length felt, experienced and shared among film folks, would most often surpass the boundaries of caste denominations,Ĭommunity orientation and religious and linguistic chauvinism. Predominant quantum of the absorption theory, bringing individuals to form an Vikraman, the committed visits of Mysskin to the darker zones of the human psyche and so on.Īlone that are closer to the soul of film makers.There has ever been a Their respective tag of creativity like the negativism of Bala, the optimism of Their zeal for variety performance but still, each one could be identified by Like Balachander, modern directors exhibit Was a mystifying combination of modernism, idealism, satire and family drama, with a fair focus on romance too. K.Bagyaraj was the incarnation of levity andĬheeky humour, reaching a state of seriousness for the climax.
Individual’s personal predicament in relation to one’s family and society.While Sridhar mixed up romance and comedy, Barathiraja was ever a profoundĪdorer of the core of romance. Directors like A.Bhimsingh,Krishnan Panju,K.S.Gopalakrishnan, P.MadhavanĪ.C.Thiulokchandar were experts, in demonstrating the diverse dimensions of an
PARUTHIVEERAN DIALOGUE ENNA MAMA FULL
A.P.Nagarajan was almost a full time devotee Devar would time again visit spiritual themes, to Theatres and the Devar films, mostly dwelt on crime and justice, in the form ofĪction genre of narration. Personal predicament and family sentiment.The Modern Thrillers, myth and spiritualism, modernism, idealism, history, satire Themes and story line the natural preferences would be romance, comedy, crime
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